All Thomas Eakins Oil Paintings

American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".
 

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Thomas Eakins The Gross Clinic oil on canvas


The Gross Clinic
The Gross Clinic
Painting ID::  28429
  1875 Oil on canvas 243 x 198.1 cm (95 3/4 x 78 in) Jefferson Medical College Thomas Jefferson University Philadelphia (mk63)
  1875 Oil on canvas 243 x 198.1 cm (95 3/4 x 78 in) Jefferson Medical College Thomas Jefferson University Philadelphia (mk63)

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Thomas Eakins portrait de Louis N.Kenton oil on canvas


portrait de Louis N.Kenton
portrait de Louis N.Kenton
Painting ID::  31696
  mk75 1900 Huile sur toile:208.3x106.7cm
  mk75 1900 Huile sur toile:208.3x106.7cm

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Thomas Eakins Max Schmitt a l'aviron oil on canvas


Max Schmitt a l'aviron
Max Schmitt a l'aviron
Painting ID::  31699
  mk75 1871 Huile sur toile:82.6x117.5cm
  mk75 1871 Huile sur toile:82.6x117.5cm

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Thomas Eakins The Gross Clinic oil on canvas


The Gross Clinic
The Gross Clinic
Painting ID::  31912
  mk77 1875 Oil on canvas 96x78in
  mk77 1875 Oil on canvas 96x78in

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Thomas Eakins Scene at Home oil on canvas


Scene at Home
Scene at Home
Painting ID::  35993
  mk108 1871 Oil painting 53x45.5cm
  mk108 1871 Oil painting 53x45.5cm

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     Thomas Eakins
     American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".

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